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Are there any resources that explain the grid and go into more detail about splitting and arranging forms?ĭo what moliere says and adjust your grid settings to change per zoom.Īnd also reread my post about the X split macro, which splits under the mouse instead of on the grid.
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I checked out the pdf user guide for this, and it's just got a brief run-down of the basic grid controls and how to manipulate them. I am not using the right tools or not looking at things the right way, and most probably I am not using the right terms when I try to troubleshoot and read up. I have a feeling this is like trying to use a thick magic marker to paint detail on a button. So it becomes a process because I'm trying to grab stuff outside/within the grid lines and eyeing things out instead of chopping them neatly. Not sure if this is going to make sense, but since I have not had luck so far with a plug-in that lets me assign to pads the way I want, I find myself click-editing and really struggling with the grid. In the grid menu, there's also an option to grid by beat and pixels, but nothing dynamic. I'm familiar with the grid selection, but is there a way to have the grid split as you zoom, instead of saying, "Hmmm, let me click 1/32?" I'm looking at it like it's Sony Acid, so my instinct is to scroll zoom on the mouse and watch the grid split into more detail by zoom level.īut in Reaper, the grid dimensions just expand as you zoom. I think we're talking about the same thing.you mean directly editing the waveform in multitrack view, yeah? with the added bonus of alt-stretching the edge of an item, mousing chunks of audio is far superior to midi-controlling large chunks of audio. try the main sequencer screen in reaper and line your waves up. midi was never meant to oneshot chunks of audio the way a lot of MPC folks like to use it, which is why it's clunky and awkward to use in that way compared to sequencing actual oneshots.
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This kind of stuff is always best done on the arrange page, working with audio blocks instead of midi. I still use my mpc w/ jjos2xl to chop and that's my favorite because you can divide, divide divide until no 2 notes are unchopped. now, just zoom in and wave your mouse at your sample and chop like butter. create a custom action to "split item under mouse cursor" and attach it to X.
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but if you chop in reaper, you have that plus 1000. In fact we've never had it better, though i agree there is a ways to go for some of these options.ĭefinitely. Hahah come on pal we don't have it that bad That bar might be composed of six slices, or eight, or an odd number to get that stutter effect or that extra horn hit in there.Īnd I know there are bound to be Stoupe fans in any discussion like this, so we need the ability not just to chop and arrange, but to layer the chopped stuff.that floating vocal or violin above the main progression.Īs for the "joy" part, anyone who has seen Youtube vids of guys like Boonie Mayfield or Disko Dave know what I'm talking about.cats using the pads not as a piece of hardware, but as real instrument.Īll that routing, fiddling with assignments, and frustrating, non-intuitive chopping really drains the spontaneity and fun out of the process. Selecting 1/8 - 1/32 is just not going to work.I really need to get in there and place the marker exactly on the first downbeat, and have the option to chop in non-symmetrical ways.īecause those of us rocking that Large Pro, Pete Rock style are not just looping a 4/4 bar. What I mean is that we hip hop heads cannot be restricted to a time signature when grabbing and chopping samples. I realized I could have been more descriptive also, instead of just bitching about the other "samplers" lol. I'm going to give Poise a try tonight and see how that turns out. Thanks for all the replies and the good info.